Every adjustment can be made quickly, and ten pre-built heads allow you to dive in immediately without starting from scratch.Ĭartoon Animator 4’s true source of appeal, however, is in its low barrier of entry impeding the beginner.
Character Motion Editing:Ĭartoon Animator expands your creative possibilities with 3D motion built for 2D animation. The Face Puppet tool can be used to nail even very challenging facial expressions.
#CARTOON ANIMATOR 4 PDF SKIN#
Skeletons in Cartoon Animator 4 can be rigged with either a traditionally-designed mesh or with any image that has been processed through their skin generator. Cartoon Animator 4 supports alpha transparency, as well, making it ideal for logo work, motion graphics, and even web design, in some cases. After your animation is complete, it can be sent dynamically to After Effects where the work may continue. If Photoshop is the program that you prefer to design in, PSD files can be incorporated into a Cartoon Animator 4 workflow seamlessly. He died on April 19, 1995.Cartoon Animator all in one for video production - one continuous line from creating characters until post-production or film editing. Preston Blair was the brother of artist Lee Everett Blair and the brother-in-law of artist and designer Mary Blair. Blair would write many more animation how-to texts over the next forty years, culminating with 1994’s Cartoon Animation, a 224-page book which compiles most of the content from all of his books. His first book, Animation, was published in 1948 and originally included images of the famous MGM & Disney cartoon characters he had animated, who were redrawn to obscure their origins in the second edition of the book. He is most noted, however, as an author of animation instructional books for Walter Foster Publishing. In the late 1940s, Blair teamed with Avery animator Michael Lah to direct several Barney Bear cartoons.īlair continued his career in animation into the 1960s, working on The Flintstones at Hanna-Barbera. “Red” later re-appeared in more Avery cartoons, including Swing Shift Cinderella, Little Rural Riding Hood, Uncle Tom’s Cabana and the Droopy cartoons The Shooting of Dan McGoo and Wild and Woolfy, with animation by Blair. There, he became particularly noted for animating the titular female character in Red Hot Riding Hood. He also did some work on Walt Disney’s Pinocchio and Bambi.īlair left Disney after the 1941 Disney animator’s strike, and was hired to work for Tex Avery’s unit at MGM. At Disney, Blair animated cartoon short subjects, Mickey Mouse scenes in “The Sorcerer’s Apprentice” section of Fantasia, and the hippo-alligator dance in Fantasia’s “Dance of the Hours” sequence. He later moved over to Charles Mintz’s Screen Gems studio, and in the late 1930s moved over to the Disney studio. Preston Blair (Octo– April 19, 1995) was an American character animator, most noted for his work at Walt Disney Productions and the Metro-Goldwyn-Mayer animation departmentĪ native of Redlands, California, Blair began his animation career in the early 1930s at the Universal studio under Walter Lantz and Bill Nolan.
An American character animator, most noted for his work at Walt Disney Productions and the Metro-Goldwyn-Mayer animation department.
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